Meanspeed® Music Review

Sometimes one gets the odd knock on the door. I do not like door bells.

Bruce Springsteen – Prove It All Night – tempo map_NJ Free School_2

Bruce Springsteen – Prove It All Night – tempo map_NJ Free School_1
Anyway, James Manning-san and I were deciding how to handle the requests for the 1978 live version of PROVE IT ALL NIGHT by Bruce Springsteen and the E Street Band.

Bruce Springsteen – Prove It All NIght – tempo map_NJ Free School_6

Bruce Springsteen – Prove It All NIght – tempo map_NJ Free School_8

Bruce Springsteen – Prove It All Night – tempo map_NJ Free School_2

Ah. Talk about the good and the bad! We all (most of us) know Jimmy Deluva when he starts telling war stories from his backstage escapades from the late 1970s. One learns a lot – perhaps a little too much!

The afternoon began with Deluva looking at out tempo maps of both legal versions of Prove It All Night, one from the studio album DARKNESS ON THE EDGE OF TOWN, the other from the box-set ‘LIVE 1975-1985′. We had all 8 of these graphs lying on the floor, and who should give his patented PAINT IT BLACK door-knock? Jim Deluva (not real name – inside the industry – this is his Dallas/Ft Worth check-in name, ok?) looks at the graphs and starts one of his barrel roll laugh sessions. He laughed at the graphs for two minutes! “Hey, Spiron, manningsan – I’m not saying these are *wrong* – no man, they are fine.”

So I thought what could the problem be. What??? “So Jim, why are you laughing?” “Uh, like, guys, anyone who knows anyTHING about the Boss, or the Loss as those Losers down the Jersey Shore call him at the Stone Pony – just to be, like, cool. You ever see people working in D.C.? Ever? Look next time! They won’t look at the Capital, or the monuments, et al, because, hey, they are stupid! They think being a tourist is a bad thing. Lemme tell ya: I’ve been to every city and back: literally if you are a kind tourist and not a fake who tries to blend, you’ll get the best service.
Now about the song: that was Bruce’s one piece in 1978 where he began to travel with his univesal gym – he was getting buff, ok? Meanwhile, piano playing madman “professor” Roy Bittan was setting the new standard for pop piano music, after this album he put out a MONSTER, Making Movies, worth the Dire Straits. Roy was just on fire then. Fire I say! Now look at Bruce’s box set: he has Ry play a long drawn out background theme fitting of a Ken Burns movie as a backdrop to Bruce’s 20 minute THE RIVER story. On Prove it all night – the MOST genius thing Bruce ever had going – ok, one of the two – the other being Clarence Clemmons all over the Born To Run Album, with MOzart-esque bits in both Thunder-Road and Jungleland: ROY and Bruce trading licks on the 10 minute version of the 1978 Prove it all night, baby! Where’s that graph, my friend??!!”

Bruce Springsteen - Prove It All Night - tempo map_NJ Free School_1

I was a little hurt.
So said, Jim and James and I went to YouTube – sure enough, the unreleased 1978 version. Readers, first, let me thank Jimmy Deluva for reminding me that I actually owned this tape in high school (taped from the King Biscuit Flower Hour – how old am I??!! Ouch). Moreover, it was burning. So James and I are all over that now.

For now though, as far as I KNOW, the only two legal versions of Prove It are those. Needless to say we looked for other tempo data about the song here before posting this set of graphs – the only ones that exist.

Bruce Springsteen - Prove It All Night lyrics

I've been working real hard, trying to get my hands clean,
Tonight we'll drive that dusty road from
Monroe to Angeline,
To buy you a gold ring and pretty dress of blue,
Baby just one kiss will get these things for you,
A kiss to seal our fate tonight,
A kiss to prove it all night.
(Chorus)
Prove it all night,
Girl there's nothing else that we can do,
Sp prove it all night, prove it all night,
And girl I'll prove it all night for you.


Everybody's got a hunger, a hunger they
can't resist,
There's so much that you want, you
deserve much more than this,
But if dreams came true, oh, wouldn't that
be nice,
But this ain't no dream we're living
through tonight,
Girl, you want it, you take it, you pay the price.

(Chorus)
Prove it all night, prove it all night girl and
call the bluff,
prove it all night, prove it all night and girl,
I prove it all night for your love.

Baby, tie your hair back in a long white bow,
Meet me in the fields out behind the dynamo,
You hear the voices telling you not to go,
They made their choices and they'll never know,
What it means to steal, to cheat, to lie,
What it's like to live and die.

(Chorus)
To prove it all night...

Lyrics | Bruce Springsteen lyrics - Prove It All Night lyrics

Bruce Springsteen - Prove It All Night - tempo map_NJ Free School_1

THE LYRICS:
Bruce Springsteen – Prove It All Night lyrics | LyricsMode.com

JAMES MANNING-SAN
MARIANO CARLTON
BROOKLYN “JACKIE” MARONE
March 11, 2010
Meanspeed® Music-New Jersey Free School

All images © Copyright 2010. Used with permission.

No one knows the Beatles as that as a man those in the know call “Jim Deluva.”  When I told Jim that one of the songs I was working with on precise tempo analysis, he had this to say, “I’ll tell ya, man, those triplets, they are quarter notes, man, don’t get tripped up.”  Good advice!  Deluva added: “…those optimistic choruses are all Sir Paul, the impatient verses were all John.  You can quote me on that, dude!”

And so it is, as Bill Clinton once bemoaned: everything you wanted to know and more about WE CAN WORK IT OUT on the internet.  Not thousands of opinions about the song: 100s of thousands of rogue opinions.   Still, try as I did, I did not see anything about any exact tempo in contiguous consecutive mapping form.  Thus, the New Jersey Free School rolls on, with the help of a Deluva and a Manningsan, and we do the work for.

BEATLES TEMPO - we can work it out - NJFS graph - 1012

Meanspeed®-Carlton Summary

song=We Can Work It OUt

performer=The Beatles

composer=John Lennon and Paul McCartney

average expected tempo/arithmetic mean speed=107.5 bpm

BEATLES TEMPO - we can work it out - NJFS graph -

File Kind=MPEG-1, Layer 3 format

Bit Rate=320 kbps

Sample Rate=44.100 kHz

Encoded=iTunes 8.0.2.

Time measurement equipment=ONLINESPORTS.COM

Equalizer Software=JoeSoft’s *amazing* HEAR

Hardware=Apple, iPhone and MacBook

Use of Microsoft=ZERO

Commentary=James Deluva

BEATLES TEMPO - we can work it out - NJFS graph 8

Tempo Infographics=Mariano Carlton and James Manningsan, with help from student [Jack Doe]

Song Suggested From=Harrington Park, New Jersey

Measurement location=Princeton, New Jersey

Tempo map synthesis=Kendall Park, New Jersey

average beat=~0.5880″

corresponding tone=458 2/3 Hz, 6 cents below Bb4, 466 2/3 Hz, 94 cents above  A4, the ubiquitous 440 Hz.

key played=C major, bridge in G major and B minor.

most interesting use of harmony=IV/IV right away: going from D to C major after a mere 2 measures.  Way bold!

most remember lyrical section =Life is very short, and there’s no time for fussing and fighting my friends – I have always thought that it’s a crime!

I need to repeat this at least once a month: the “beat extractor” programs are horse shit.  Ask ANY dancer!  A beat can fall on a silence, a quiet chord or loud melody part or in between.  As mammals, we can interpret where the beat is just as you know when despite all their practice a musician just doesn’t “have it” – as a musical Ivan Lendl, though I date myself, a musical Pat Sajak.

Sajak just could not do the Johnny Carson slot.  He didn’t have that spark as that of a David Letterman, Craig Ferguson or Ricky Gervais.

So beating the Peter Principle Pat Sajak went *back* to Merv Griffin’s WHEEL OF FORTUNE.  A computer program would have an easier time telling you, after “watching” why Craig and Dave and Ricky are 11:30 pm funny and Pat Sajak is 7:30 pleasant.  Everyone has their place.  Similarly, every noise has its place in a beat, and the emphasis there is NOT discernible by MixMeister or CuBase or anyone – its work, that if its to be done at all, is human – kinda like telling me why Jane Austen is still relevant.  I’m sorry: nothing but iUNIVERSAL ARTIFICIAL INTELLIGENCE would even come close.  I know what you’re thinking: using a *simple* calculator to divide 52 by 4 to get 13 is artificial intelligence to the extent I’m relying on same calculator.  And my Gosh, we are, like, so beyond that!  I have heard that whining for over 20 years from people who will not accept scientific truth: unique, usable, repeatable information I give here is a tough pill to swallow.  You do not know as much as you thought you did.  Neither did I!  When I DID figure out the phantasmagoric yet simple patterns of tempo, I thought 1) this has to be a huge base for knowledge on this, but, 2) if there was not, *I* was stuck with spreading the truth of it, even while trying to keep up with continuing practice as a lawyer.  Lawyers as scientists are like, hated, man.  I know that.  But let me tell ya something: any of you that saw the Paper Chase?  Read Scott Turow’s wildly correct, detailed _One L_: we learn as lawyers not to assert that which we cannot prove.  It’s too embarrassing.

/IAS/

/JM/

/MC/

New Jersey Free School/Meanspeed® Music Nonprofit Music Education

February 21, 2010

the speed of the moment from 1/2 Hertz – 2 1/4 Hertz can be broken down in a phenomenology that is natural.  I invented nothing – I simply saw the order trying to  in chaos and spent 21 years calibrating over 15,00 carefully chosen pieces of music trying to OBJECTIVELY DISPROVE MYSELF.  Haven’t.  Then again, those of you who log on every day know the theory is if not correct at least valid and so overwhelmingly shown by preponderance of evidence as to be obvious.

ONE - by SIR paul hewitt BONO, david "THE EDGE" evans, larry mullen junior, adam clayton

/Ian Andrew Schneider/

February 1, 2010

New Jersey Free School

a division of Meanspeed® Music Nonprofit Education Company

Beatles-tempo-map-Fixing-A-Hole-contiguous-calibration-1-73934z