On their compilation album called The Best of What’s Around, the Dave Matthews Band offered bonus live tracks. Among the bonus tracks was a version of the song Louisiana Bayou.
A speed summary by Meanspeed Music found that
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723 beats counted in 7 minutes, 11.2 seconds as the mean of 10 trials.
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Some of the best of the what’s around on the web on The Dave Matthews Band’s Best Of What’s Around and performance of Louisiana Bayou:
WIKIPEDIA.ORG
Track listing
[edit]Disc one
- “The Best of What’s Around“
- “What Would You Say” (Listen )
- “Crash into Me” (Listen )
- “Too Much“
- “Rapunzel“
- “Crush“
- “So Right”
- “The Space Between“
- “Grey Street“
- “Grace Is Gone“
- “Hunger for the Great Light”
- “American Baby“
[edit] Disc two
All tracks feature Butch Taylor.
- “Don’t Drink the Water” (Live 7/16/05, Sound Advice Amphitheater, West Palm Beach, FL)
- “Warehouse” (Live 7/2/06, Alpine Valley Music Theater, East Troy, WI)
- with Rashawn Ross
- “Say Goodbye” (Live 7/5/00, Comerica Park, Detroit, MI) (Incorrectly listed as 7/25/00)
- “Stay (Wasting Time)” (Live 7/19/03, Verizon Wireless Amphitheater, Selma, TX)
- “Everyday” (Live 6/17/06, Saratoga Performing Arts Center, Saratoga Springs, NY)
- with Vusi Mahlasela and Rashawn Ross
- “Louisiana Bayou” (Live 6/26/05, Nissan Pavillion, Bristow, VA) (Incorrectly listed as 9/2/05)
- with Robert Randolph
- “Ants Marching” (Live 3/26/05, State Theatre, Sydney, New South Wales, Australia)
- “Two Step” (Live 6/11/01, Giants Stadium, East Rutherford, NJ)
BARNES & NOBLE (bn.com)
More About The Best of What’s Around, Vol. 1
Album Details
- Release Date: 11/07/2006
- Label: RCA
- Catalog No.: 88858
- UPC: 828768885826
- Sales Rank: 235
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Disc 1
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| 1 | The Best of What’s Around 4:16 |
| 2 | What Would You Say 3:42 |
| 3 | Crash into Me 5:16 |
| 4 | Too Much 4:21 |
| 5 | Rapunzel 6:00 |
| 6 | Crush 8:09 |
| 7 | So Right 4:40 |
| 8 | The Space Between 4:03 |
| 9 | Grey Street 5:07 |
| 10 | Grace Is Gone 4:38 |
| 11 | Hunger for the Great Light 4:21 |
| 12 | American Baby 4:35 |
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Disc 2
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| 1 | Don’t Drink the Water Live 6:31 |
| 2 | Warehouse/Louie, Louie Live 10:57 |
| 3 | Say Goodbye Live 9:26 |
| 4 | Stay (Wasting Time) Live 6:23 |
| 5 | Everyday / Vusi Mahlasela Live 10:27 |
| 6 | Louisiana Bayou Live 7:24 |
| 7 | Ants Marching Live 7:36 |
| 8 | Two Step Live 9:50 |
Reviews
Barnes & Noble
The Dave Matthews Band have never been prone to doing the expected, and that mercurial nature is reflected in the unique structure of this, their first “greatest hits” collection. The quotation marks aren’t meant to indicate a lack of firepower in the grooves of the two-disc set but to point out that Matthews and company didn’t simply extract the most recognizable material from their previous releases. Yes, there are a dozen studio favorites tucked into the grooves of The Best of What’s Around’s first disc — notably “Crash into Me” and the full eight-minute version of “Crush” — but those offerings are augmented by a second CD laden with live material that’s seeing the light of day for the first time. The concert stage is the band’s natural habitat, and they stalk it with plenty of fire on these songs, which were culled from six years’ worth of shows dating back to a spiraling take on “Say Goodbye” recorded at Denver’s Mile High Stadium in the summer of 2000. Encompassing both quiet intensity — in evidence on “Everyday,” which features guest vocals by Matthews’s South African compatriot Vusi Malsahela — and raucous energy, which flows from the “Louie Louie” break in “Warehouse,” the eight-tune salvo not only showcases the best of the DMB so far; it also lets listeners know that they can expect plenty more volumes down the road. David Sprague
All Music Guide
For those just joining the cult surrounding the Dave Matthews Band, The Best of What’s Around, Vol. 1 is actually a stellar introduction. There are two discs in the package, one compiled from the group’s studio offerings and a live disc of previously unreleased material (at least “officially” unreleased). But then, this set is unique in another way also: the tracks were selected by DMB fans via the band’s website. This is the way best-of and compilation recordings should be issued — by fans, not the suits upstairs. The studio disc contains two cuts from each RCA-issued album, from Under the Table and Dreaming straight through to Stand Up. To everyone’s credit, there are two picks from Busted Stuff, a record that was undeserving of the ire it received from some members of the music press. Beginning at the beginning: “What Would You Say” and “Crash into Me” are obvious picks. (The latter is a track well deserving of its smash success, and one of those songs listeners will be hearing in whatever form radio goes for a very long time.) A thoroughly modern love song, its simple melody, hook, and chorus are memorable from the first time through. Other standouts from the first disc include “Crush,” “Grey Street,” “Grace Is Gone,” and “Hunger for the Great Light.” The live platter is wonderfully assembled, jumping back and forth across time from 2000 to 2006. All but one of the selections were recorded in the States, and the performances are stellar — even the version of “Ants Marching,” the most over-recorded song in DMB history and one listeners should all get a break from, is wonderfully refreshing here. There are a couple of tracks with guest performances: “Everyday” with the great Vusi Mahlasela on vocals, and a scorching read of “Louisiana Bayou” with the inimitable Robert Randolph on pedal steel (if you’ve never heard Randolph, get ready for a mind-blowing treat). Those uninitiated who are wondering what all the fuss has been about for the past decade get a real opportunity here to check out the very best of what’s been recorded, and get a small taste of the band live as well. Longtime fans who don’t already have the shows referenced here will want to pick it up for the live set alone. Thom Jurek.
Everybody just relax: Bob Dylan is still, hands down, the most gifted and original songwriter of the last century. But yes, he did poach some lines from 19th century Confederate poet Henry Timrod for Modern Times. He’s been lifting lines from other people for his entire career — for one, huge chunks of his 1985 disc Empire Burlesque was based on Humphrey Bogart movies. It’s part of the whole folk music thing, as well as the whole “geniuses steal” thing, and Dylan did name his last album, um, Love and Theft. Here are a half dozen of Dylan’s greatest “appropriations” — can you think of any more?
